According to Aaron Gutierrez, even his grandmother calls him “Pinky.” What started as a childhood nickname has evolved into his professional moniker. And while Gutierrez is better known as “Pinky Brewtz” in the world of glassblowing, Pinky Brewtz is better known as “the Jaguar Man.”
Much of Gutierrez’s work portrays the image of an Aztec warrior wearing a jaguar helmet, his face inside the gaping mouth, head wreathed in feathers. His rigs seem almost ceremonial and have become high-priced items in the world of glass.
From his home in San Diego, Gutierrez told California Leaf, “From the beginning, I knew I wanted to represent the culture I’m from. To not just be a Hispanic glassblower, but to try and carry forward some of that traditional art from Mexico.”
Obsessed with the artistic styles of Mayan and Aztec history, he said he wanted to use glass to create art much like how artisans from regions like Sinaloa, Jalisco and Oaxaca have done for generations.
Gutierrez became Pinky when he got into a fight as a kid and needed something to hold his pants up. The only thing he could borrow — which would become the makeshift weapon that won him the fight — was a friend’s pink belt. He said he hated the nickname, but by the time he was in high school, even his family called him Pinky. So when he was thinking about what to call his brand, he said, “I just wanted to keep it simple with something people already know me as.”
He was working as part owner of a clothing company back in 2014 when he first discovered glassblowing. Visiting a friend in San Luis Obispo, Gutierrez said they smoked DMT, and his buddy showed him a pendant he had just finished making. He said looking at the universe of colors and patterns, knowing they were all produced by human hands, blew his mind.
Before that, Gutierrez said he imagined bongs and pipes were made by machines. Finding out it was a craft lit a fire within him, and he jumped onto eBay to order his first torch.
At first, he said he was making more generalized imagery, like feathered serpents and alebrijes. But his whole trajectory changed the day Gutierrez proposed to his wife, Ruth Gutierrez, at the Pyramid of the Sun in Teotihuacan, Mexico. To celebrate, they smoked a bowl from the only thing they had: a traditional clay whistle in the shape of a jaguar’s head. Ruth Gutierrez remarked how cool it would be if he could make pipes and dab rigs like that.
On their way down the pyramid, Gutierrez said his wife’s ring dropped in between the stones. At the time, they saw it as a tragedy, but he said they’re now convinced that “it was the sacrifice the gods required to put us on the path we’re on now. It changed my life forever; that moment shaped me as a married man, a father and an artist.”
Since then, Pinky Brewtz has solidified an artistic style and gone on to collaborate with prominent names in glassblowing, including Elbo, Darby Holm and Banjo. Gutierrez said he has a group of collectors who seek out his art and has been able to meet fans from all over the world.
With so much of his inspiration coming from traditional Mexican artisans, Gutierrez feels a responsibility to support the community and the heritage that his work springs from. He told the Leaf he donates portions of his U.S. sales to charities in Mexico and collaborates to showcase the work of traditional artisans, like his collaboration with third-generation wood-carver Efraín Fuentes. Gutierrez said he’s always looking for ways to work with these artists to create modernized versions of traditional craft.
“There’s an aesthetic I’m trying to put out, and that’s one that represents Mexican culture,” he said. “The culture is what’s important. AI is going to eat us up. Our history will be deleted if we don’t carry these things forward, and in some small way, that’s what I’m trying to do.”
